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Kafka on the Shore

Kafka on the Shore
Author: Haruki Murakami
Publisher: Vintage
Category: Book

List Price: $14.95
Buy Used: $6.54
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New (46) Used (38) Collectible (3) from $6.54

Rating: 4.0 out of 5 stars 172 reviews
Sales Rank: 8415

Media: Paperback
Pages: 480
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 7.9 x 5.4 x 1.1

ISBN: 1400079276
Dewey Decimal Number: 895.635
EAN: 9781400079278
ASIN: 1400079276

Publication Date: January 3, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Standard used condition.

Also Available In:

  • Paperback - Kafka on the Shore (A Novel) (Translated Copyright 2005)
  • Unknown Binding - Kafka on the Shore
  • Hardcover - Kafka on the Shore
  • Paperback - Kafka on the Shore
  • Hardcover - Kafka on the Shore
  • Leather Bound - Kafka on the Shore
  • Mass Market Paperback - Kafka on the Shore
  • Audio CD - Kafka on the Shore
  • Kindle Edition - Kafka on the Shore
  • Audio Download - Kafka on the Shore (Unabridged)
  • Music Download - MURAKAMI: Kafka on the Shore (unabridged)
  • Hardcover - Kafka on the Shore

Similar Items:

  • The Wind-Up Bird Chronicle: A Novel
  • Norwegian Wood
  • After Dark (Vintage International)
  • A Wild Sheep Chase: A Novel
  • Hard-Boiled Wonderland and the End of the World: A Novel (Vintage International)

Editorial Reviews:

Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen--it's page thirteen in Kafka On The Shore--the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.

Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the worlds toughest fifteen-year-old." He finds a secluded private library in which to spend his days--continuing his impressive self-education--and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.

To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end. --Regina Marler

Product Description
Kafka on the Shore is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom.

As their paths converge, and the reasons for that convergence become clear, Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder. Kafka on the Shore displays one of the world’s great storytellers at the peak of his powers.


Download Description
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into thirty-four languages, and the most recent of his many honors is the Yomiuri Literary Prize, whose previous recipients include Yukio Mishima, Kenzaburo Oe, and Kobo Abe.


Haruki Murakami’s After the Quake; Dance Dance Dance; The Elephant Vanishes; Hard-Boiled Wonderland and the End of the World; Norwegian Wood; South of the Border, West of the Sun; Sputnik Sweetheart; Underground; A Wild Sheep Chase; and The Wind-Up Bird Chronicle are available in Vintage paperback, as is Vintage Murakami, a selection of his finest work.


Translated from the Japanese by Philip Gabriel.


From the Hardcover edition.



Customer Reviews:   Read 167 more reviews...

4 out of 5 stars My first (and definitely not last) Murakami   August 25, 2008
Yuni (Chicago, IL)
I've heard and read of this mythic Haruki Murakami fellow before reading this book. I thought it would be a nice, summer read when I picked it up at a used bookstore in my neighborhood. At the end of the book, I was a little annoyed and regretful of finally discovering Murakami for myself. I was annoyed because the story was so absorbing and bizzare that I couldn't stop reading it. I just read it and read it for two straight days during the weekend, thus distracting me from graduate school-mandated reading that I really should've been doing.

But anyway, the book was fascinating and extremely engaging. The only other Japanese writer I've read previously was Banana Yoshimoto. I found Murakami's and Yoshimoto's styles similar yet distinct. Both have a simple (but not simplistic) narrative style and is enchanting and not excessively difficult to follow. In this book, Murakami's use of imagery and symbolism is complex, but not so complex to the point of being inexplicable. Even though there are two parallel and separate stories/characters that we are following, the book's flow is smooth and not choppy at all. Although it felt like Murakami himself didn't even know where the story was leading us to for most of the book, it was so addicting that I was just strung along willingly through the maze-like journeys of both protagonists.

All the characters in the book are charmingly flawed and human. Despite the extraordinary circumstances, some of which border on being fantastical and science fiction-y, it is very easy to like and empathize with the characters. There are many loose ends at the end of the story, but somehow, I found that it is still satisfying and did not disappoint. Besides being hooked on to Murakami, my only other regret is that I didn't start reading Murakami earlier.



5 out of 5 stars The Ultimate Blend by Layne Bernstein   August 23, 2008
Barry S. Bernstein (Los Angeles, CA)
Upon first delving into "Kafka on the Shore" by Haruki Murakami, I found myself dreading another coming of age story. However, it proved to be so much more than this in a variety of ways. Of course, there is still the classic runaway story present, but how many coming of age tales feature talking crows and cats, in addition to raining leeches? Despite my preconceived notions, "Kafka on the Shore" opened up an entirely new realm of thinking for me, which is what I appreciate most in a text.

I truly loved the alternating storylines of Kafka and Nakata with each chapter. Not only were the two incredibly interesting on their own, but I also craved to learn how they would intersect and finally converge. I feel that above all else, such suspense truly kept me engaged and connected at all times, even during rants about World War II.

Moreover, it seems that the overall strangeness of the text cannot be ignored when attempting to uncover what draws the reader in to the point of entranced connection. The bizarre Oedipal complex prophecy, the children passing out during a break from school, Johnny Walker, and the sexual dreams transformed the story into something much larger, something much more powerful. These details removed any suspicions that this was another attempt at a Huckleberry Finn, and introduced the text as its own entity. Additionally, I feel that each of these details, in spite of how strange they may or may not be, allowed the story to transcend to an utterly spiritual level in my mind. They blended the line between reality and imagination, so much so that I found myself barely questioning the dialogue of a cat. Also, the ethereal and poetic writing maintained this blend and instilled a dream-like quality to the text. I believe that this really transformed the story, for with each line, the fantasy becomes a bit more real and the reader is no longer distracted by an over analysis of nightly visits from Miss Saeki's fifteen-year-old spirit with some sort of physics talk.

I find it incredibly fascinating that time has such a large role in the end, because throughout the majority of the story, it has no significance at all. As Hoshimo must kill the stone's nemesis when it is dark, he therefore must battle with time by napping during the day. Similarly, Kafka must compete with time, for if he doesn't, he risks the chance of the entrance closing before he has escaped. Perhaps the fact that time actually possesses significance in the last few chapters is no coincidence at all, but instead, illustrates that normality has been restored. With the entrance now closed and Kafka's prophecy behind him in the past, it seems that he can officially move forward. He no longer has to cope with the blend of the past, present and future, but can now embrace the present in the manner he decides is proper. Time is ultimately set into place with the image of Kafka's watch beginning to function again, and it paves the way for the clear outlook on life that Kafka seems to have in the end.

The Komura Memorial Library was an idyllic Eden for me, and Oshima's cabin in the woods reintroduced Thoreau-inspired concepts. Oshima was a mentor for me, a teacher above all else, and I craved eel after almost every reading. It was exceedingly easy for me to immerse myself in the world of text, reading close to 100 pages each day. And as I imagined myself submerged in the serenity of the woods, the fresh and detailed writing engaged all of my senses and made me feel that, as a reader, I really was a part of the story. I closed the book with a feeling of completeness, but more importantly, one that I could understand. And I truly feel that ultimately, that is what every great book aims to instill in its reader.



3 out of 5 stars Doesn't come close to the "Chronicle"   August 16, 2008
Philippe Vandenbroeck (HEVERLEE, BELGIUM)
1 out of 1 found this review helpful

Many years ago I read Murakami's "Wind-up Bird Chronicle" which left me absolutely spellbound. I loved the plasticity of its prose and the suggestive and surprising metaphors that where wrapped around the shadowy plot. Other Murakami novels that I have read since - "Hard-boiled Wonderland ..." and "South of the Border ..." - left me disappointed.

The same is true, I am afraid, for "Kafka". The story has been conceived as a darkly allegorical account of a young boy's coming of age, sexual awakening and initiation rite. The first two hundred pages are promising, if not at the same level of the "Chronicle". But then Murakami seems to get lost in his own narrative labyrinth and the story becomes a wearying sequence of dreams and "teleportation experiences" (by want of a better word). Lots of it is merely clever and gratuitous - not tightly woven into the plot - and it soon wears off (a small and obvious example is the choice of `Kafka' as the protagonist's name, the initial frisson of which quickly fades). As a result many of the twists and turns in the narrative, even if they were not exactly predictable, left me cold. To me none of the "Kafka"-stuff comes close to the deeply serious, compelling, unforgettable epiphany of Lt. Mamiya in the "Chronicle".

Neither is the prose at the same height of the earlier novel. There is too much that is simply mundane (after 500 pages of "Kafka" one has "a pretty good idea" (a typical Murakami turn of phrase) what range of options is available to Japanese for breakfast, lunch and dinner) and only seldomly Murakami achieves the poetic density of his best work.

Pity. But I'll keep looking out for a worthy successor to the "Chronicle".



4 out of 5 stars A World of Pure Imagination   August 16, 2008
Greg Sewitz (Encino, CA)
1 out of 1 found this review helpful

Being a big fan of "magical realism," I was greatly excited to read my first Murakami novel, Kafka on the Shore. People have been telling me that Murakami is a master of the genre, that his prose are beautifully simple, his plots wonderfully imaginative. And at the start of the novel, I didn't fully agree with them.

I'm not sure if it's a style of Japanese writing or the subsequent translation, but with both Kafka and Kokoro (by Soseki, and nicely referenced in the text), another Japanese novel I read last year, the prose have been simple, almost to the point of boring. It is hard to get through the beginning because of the sheer lack of emotion and story. Once the story switches to the accounts of a strange incident in WWII Japan, however, the plot starts to flutter and eventually starts to grab as the book splits off into two distinct but parallel storylines, one following Kafka Tamura as he leaves his home in Tokyo to try and escape an Oedipal prediction, and the other trailing Nakata, an elderly man who can talk to cats, as he is drawn along a mission of his own. For me, it is Nakata's storyline that truly drives the novel, lending the inventive and magical qualities that Murakami is famous for. He is an excellently drawn and amazingly realized character, almost playing the good cop to Kafka's admittedly necessary but almost uninteresting bad one. Yes, he is the book's emotional center, but I found my attention drifting whenever it would switch back to his narrative. Only when Kafka embarks on his climactic journey through the forest in the last fifty pages does the book begin to even out, building towards a moving, worthy conclusion.

Although I didn't enjoy the book as much as I thought I would before reading, I think that might just be a case of hugely high expectations. Upon turning the last page I truly did feel satisfied with the story and the way the author had woven everything together to create a parallel world full of miracles, awe, and imagination.



3 out of 5 stars First book by this author that I could not finish   July 25, 2008
J. Bird
I made it to about 50 pages from the end, but there just wasn't enough to sustain my interest. For the last half of the book I found myself losing interest in the characters and their fates. This is the fifth book of Murakami's that I have read, and the first that I could not finish. Obviously he has the skill and creativity to engage a reader's interest, and I was fascinated by aspects of the story, such as "Johnny Walker" but towards the end I just didn't care.

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